Everything must have a start, even a tradition.
—William Edgar Geil, The Great Wall of China (1909)
On the final day of President Obama’s 2009 trip to China, he was taken on a tour of the Badaling section of the Great Wall just outside Beijing, where he posed for what White House aides celebrated as “the shot.” A widely distributed Associated Press photograph depicts the president standing pensively on a rampart, and while we have no way of knowing what precisely he was thinking, the Associated Press’s accompanying description offers a hint: “‘It’s magical,’ Mr. Obama said, walking down a ramp alone, his hands in his pockets. ‘It reminds you of the sweep of history and our time here on earth is not that long. We better make the best of it.’”1 Obama’s visit to the Wall elicited a brief flurry of excitement in the U. S. news media, but in general it was actually rather unremarkable. A carefully scripted appearance at one of China’s most popular tourist destinations, this “shot” rehearses a set of familiar assumptions regarding the Wall’s status as a symbol—of historical continuity, of territorial integrity, and of the nation itself.
The apparent familiarity of this scene, however, is belied by a set of suggestive contradictions just beneath the surface. While the
[To view this image, refer to the print version of this title.]
Obama at Badaling. APPhoto/CharlesDharapak(2009).
Wall is often seen as a paradigmatic symbol of China’s history, for instance, this particular section has actually been extensively reconstructed in recent years. The Wall is frequently imagined as a quintessential emblem of China’s border, yet here it is being used as a scenic backdrop for a visiting foreign leader. And, finally, while the iconic monument is conventionally conceived as a stand-in for the Chinese nation, it is perceived here through coverage by an American news agency. If there is indeed something “magical” about this scene, therefore, it lies in its subtle negotiation of these contradictory connotations of historicity, territorial boundaries, and national identity.
Like Obama’s Badaling photo op, the significance of the Wall itself might at first appear to be rather straightforward. The Wall, as every schoolchild knows, represents the nation’s power, unity, and longevity. A defensive barricade spanning China’s northern frontier and linking contemporary China back to its first unified dynasty, the Wall symbolizes the nation’s geographic integrity and historical continuity. It is the longest and most massive structure ever built by man, and the only one visible from outer space.
At the same time, however, it is generally acknowledged that none of these claims is strictly accurate. The massive brick and stone Wall we see today was not constructed until around the sixteenth century and is positioned far from the nation’s current borders. The structure no longer retains any strategic function as a defensive fortification, and even at the height of its use it often reflected not so much China’s strength as its inherent vulnerability. And, no, the Wall is not visible from space—or at least it is no more visible than a number of other man-made structures would be from a comparable distance.
Meanwhile, it has become increasingly conventional to treat the Wall as a set of historically independent structures—differentiating, for instance, between the Ming dynasty’s brick-and-stone construction and the tamped-earth structures erected by earlier regimes, such as the Qin dynasty. The problem with this approach, however, is that it opens the door to a potential repudiation of the very notion of the Wall. Once we grant that the Ming and Qin Walls should be treated as physically and historically independent entities, what would prevent us from applying the same logic to, say, the Ming Wall itself—seeing it not as a unified structure but as a set of distinct border-wall constructions carried out under different emperors in different regions over roughly a two-century span? What, indeed, grants any wall a unified identity that encompasses the multitude of bricks and stones out of which it is made?
It would, of course, be possible to simply do away with the concept of the Wall and speak instead of geographically and historically specific border-wall construction projects. The problem is, we have a strong intuition that the Wall does in fact exist. The challenge, therefore, is to find a way to bring what we know about the structure’s empirical history and reality into line with our intuition that it exists as a meaningful entity.
Most contemporary discussions of the Wall approach it as an abstract ideal or a material structure, or a combination of the two. Both the abstract ideal and the material structure, however, are in a continual state of flux, and consequently they do not suffice, in and of themselves, to anchor a vision of the Wall as a historically continuous entity. Instead, the key to the Wall’s identity lies in the cultural environment within which it is embedded; this body of cultural representations provides the glue that binds the physically and historically discrete structures into a single unity.